A remarquable collaboration, a clear and coherent result
Alain Trudel was right to emphasize, at the beginning of the concert, the thematic links uniting the three works on the concert program: love and romanticism. Thus, between Tchaikovsky’s fantasy-overture Roméo and Juliette, which is well-known, and the piano concerto No. 4 by André Mathieu, permeated by Rachmaninoff’s predominant influence, comes En amour en hiver,…
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